Like almost everyone in this Shakespearean-period production, McGregor wears gleamingly lit, sumptuous black clothes that appear lifted from Titian portraits. Audiences who flock to see “Othello” at the Donmar Warehouse because of stars Ewan McGregor and Chiwetel Ejiofor will not be disappointed, but it’s Shakespeare’s women who steal the show. The Merchant of Venice. But Roderigo considers himself resolute, if thwarted. In the final scene, Othello sees himself as one of the damned: Laura Benanti is now playing her dream role on Broadway. Working with Michael Grandage, the director of the stage production, they had to rely on their voices alone for dramatic impact. What makes this stand proud amid all recent London Shakespeare stagings is that no one onstage could stand accused of making speeches.

Michael Grandage has directed a magnificent Othello. Most unusually, his production makes Othello the star of his own show. He flashes lupine grins, loiters in the dusk rolling a lustrous appraising eye at Desdemona and Cassio. Buy on CD at NaxosDirect. Get me some poison, Iago. The casting of Ewan McGregor in the part has caused the Donmar to sell out you can queue each morning to get in, to stand or sit.

The difficulties of bringing ccast Othello are reflected in the fact that it is performed relatively rarely. Her final scene with Michelle Fairley’s strong Emilia is rendered with unforgettable intensity. There he is, explaining in rich Shakespearean phrases what a simple fellow he is: The Merchant of Venice. Even Othello himself is stunned by what has happened. What mass audiences like is not necessarily rubbish. The week Donmar run sold out in a single day.

McGregor, Ejiofor in splendid new ‘Othello’

It is as though Iago conceives of the world as a play, and himself as a stage-manager or dramatist, chiqetel characters who do not know they are figures in a play he has devised. All those fools who want to take Shakespeare off the national curriculum had their rebuttal here. Ejiofor moves as if his limbs have become sluggish. But in his Shakespearean debut, such minute control of moment and language comes as a surprise.


You’d think this would make a void. Buy on CD at NaxosDirect. In the last 10 years this is the fifth time I’ve seen the play, as compared to eight productions of King Lear and 15 of Hamlet. We’ll assume you’re ok with this, but you can chiwetfl if you wish. This is no mere prequel to the murder of two women. Here, Edward Bennett gives the character proper dignity.

He is the best Othello I’ve ever seen: It was the kind of production that makes the lines live, where you hear more than you knew was there, where you forget this is acting and just see the people.

He flashes lupine grins, loiters in the dusk rolling a lustrous appraising eye at Desdemona and Cassio. The whole production is shot through with foreboding.

Othello – Variety

The stage is given over to them, commanded by Reilly’s dissolving heroine, and Emilia’s bitter, prophetic insights into treacherous husbands. But he’s careful, too: It equally is no surprise that others covet her, including the estimable Cassio, played with tremendous verve by Tom Hiddleston.

Advertise About Tips Contact Us. That in turn allows auds the pleasure of discovering his foolishness for themselves rather than through a more attitudinous approach.

Pale, fragile, obstinate and alluring, Reilly makes her voice reedy, her gestures small but decisive: Revelatory lighting by Paule Otjello gives these instantly recognisable scenes another dimension: In the final scene, Othello sees himself as one of the damned: Othello dates from the first years of the s, and a performance of it is recorded as being given before King James I in the Banqueting House in Whitehall on 1 November Currently, restrictions on the delivery of files to mobile devices mean our download titles must be downloaded to a desktop computer and then transferred to the mobile device.


Most unusually, his production makes Othello otheloo star of his own show. It makes for scintillating drama. Premier Logo Created with Sketch.

Please fill out this ejiofpr with valid email address. From the start, characters cast dark shadows on the rough wall that runs at the back of the stage, as if to show that the most innocuous deeds are doomed.

Othello Review Donmar 2007

The cast of the sellout Othello at the Donmar Warehouse spent three days recording this version. Answers On Innovation Thomson Reuters. Caat Reilly and Michelle Fairley are mesmerizing as the wives whose faith in their men is wickedly betrayed.

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Grandage is alive to the fact that uncontrolled rage is profoundly uninteresting to watch: Ophelia dies under one, Desdemona sings about them before dying. He’s an efficient malice machine running on sat nav.

Theatre review: Othello / Donmar, London | Stage | The Guardian

It’s nearly always Iago who runs away with the play. Tom Hiddleston’s doleful Cassio and Edward Bennett’s comic Roderigo light up parts of the play which are often holding operations. The simplest of these love stories, at the centre of the play, is that of Othello and Desdemona.

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